Remixing my cello beatscapes via live for PRIZES

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cosmod
Posts: 24
Joined: Fri Aug 11, 2006 2:09 pm

Remixing my cello beatscapes via live for PRIZES

Post by cosmod » Fri Aug 11, 2006 2:35 pm

Hey Ableton community,

Name's Cosmo D. I'm a cellist/producer/improvisor. I make a strange blend of electronic music that could be compared to the Books, Mouse on Mars or Arovane though it's reeeaaaaly funky. Anyway, I've put together a remix contest celebrating the release of my new track,Apothecary Passageway, which is, consequently on a new album of mine, Plantastic Joyage.

TheContest Info, prizes, which include a gift certificate to IKEA (!?), are listed here.

CLICK HERE TO DOWNLOAD FILES

But what am I doing with Live?


Live is the heart of my operation these days. I'm using Live while playing my cello into the computer running that software. I've got a midi foot controller that controls the various triggered aspects of the software (sample cue-ing, muting, record arming, beat switching, etc.) I've got a small continuous controller strapped to my thigh in case I need to turn stuff up or down. All the audio is routed through a fire-wire mixer. It's a fairly light setup, but it gets done what I need in terms of dynamic, live, improvised sequencing, with my cello-playing thrusting everything forward. I want to create sounds and ideas that are contsantly evolving, never repetitive, but still groove-based. Live is helping me achieve this, even as I further hone in the best possible on-stage working strategy.

You can listen to some of my stuff here. love to know what you think

til next time
cosmo d
d on myspace

dan le sac
Posts: 30
Joined: Wed Jul 26, 2006 10:46 pm
Location: Reading
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Im up for it....

Post by dan le sac » Sat Aug 12, 2006 4:01 am

Ive downloaded the tracks and it sounds awesome, some of the riffs (if i can call them riffs) could easily be built as whole track on their own. Cant wait to start working on it....annoyingly I going on holiday in about 6hours so Im going to have to wait 8 days until I can get started...my myspace is http://www.myspace.com/danlesac if you wanna check out what you can expect.[/url]
Alright, calm down!

DeadlyKungFu
Posts: 3603
Joined: Tue Aug 09, 2005 8:26 pm

Post by DeadlyKungFu » Sat Aug 12, 2006 7:32 am

Very suprising, sounds great as is. Good recordings I like the 'negative space', there's lots going on but it's not overly chaotic. Good tension throughout. Cello, even the name is pleasing to say. Lots of stuff to play with, this could be a cool remix contest. Put a link in the General Forum as a remix contest, more people will see it there. Any tips on a key to use? I'm sure it was done more by ear and feel, I had to ask the composer it cuts a lot of corners.

cosmod
Posts: 24
Joined: Fri Aug 11, 2006 2:09 pm

keys to use

Post by cosmod » Mon Aug 14, 2006 7:42 am

DeadlyKungFu wrote:Very suprising, sounds great as is. Good recordings I like the 'negative space', there's lots going on but it's not overly chaotic. Good tension throughout. Cello, even the name is pleasing to say. Lots of stuff to play with, this could be a cool remix contest. Put a link in the General Forum as a remix contest, more people will see it there. Any tips on a key to use? I'm sure it was done more by ear and feel, I had to ask the composer it cuts a lot of corners.
Deadly K,

I'm going to guide you in measure #'s:

meas. 1-4 First chord riff is in D Major,

5-6 then it pitch-shifts to D-flat. Then back to D major in 7-8

9-16
is in D (melodic minor), moves up to F major. Back and forth each successive masure

the following section... 17-24 wasn't written with any specific key in mind. You could lay an e-flat minor or a-flat minor chord under it with minimum dissonance. give it a try

measures 25-30 with the Bass Ostinato line... that's A Major, but a turn to the minor in 31, 32.

Then the melodic section from 33-56 shifts between F-sharp minor, D major dominant, A major, A minor. There's a lot of chromaticism and passing tones in there though, though. I'd say just use your ears.

Then the noise/rhythm breakdown (57-64) is in no key signature.

The next section, 73-81, follows the same progression as 33-56, but now hovers around the chords C major, F major dominant, C minor, and D major as a passing chord. Again, a lot of chromaticism, a lot of passing tones, a lot of dissonant clusters. Use your ears.

81-84 is firmly in the key of C major, but in 85-86 it goes down to B major, and then back up to C major for the rest of the piece.

The whole piece is basically a series of flipped riffs descending lower and lower throughout the song.

woah.. never analyzed my piece like that before. hope it helps.

-cosmo D

alin55
Posts: 127
Joined: Wed Mar 08, 2006 1:59 pm
Location: Edinburgh
Contact:

Post by alin55 » Sat Sep 23, 2006 6:56 pm

so what happened?? :?


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