Remixing my cello beatscapes via live for PRIZES
Posted: Fri Aug 11, 2006 2:35 pm
Hey Ableton community,
Name's Cosmo D. I'm a cellist/producer/improvisor. I make a strange blend of electronic music that could be compared to the Books, Mouse on Mars or Arovane though it's reeeaaaaly funky. Anyway, I've put together a remix contest celebrating the release of my new track,Apothecary Passageway, which is, consequently on a new album of mine, Plantastic Joyage.
TheContest Info, prizes, which include a gift certificate to IKEA (!?), are listed here.
CLICK HERE TO DOWNLOAD FILES
But what am I doing with Live?
Live is the heart of my operation these days. I'm using Live while playing my cello into the computer running that software. I've got a midi foot controller that controls the various triggered aspects of the software (sample cue-ing, muting, record arming, beat switching, etc.) I've got a small continuous controller strapped to my thigh in case I need to turn stuff up or down. All the audio is routed through a fire-wire mixer. It's a fairly light setup, but it gets done what I need in terms of dynamic, live, improvised sequencing, with my cello-playing thrusting everything forward. I want to create sounds and ideas that are contsantly evolving, never repetitive, but still groove-based. Live is helping me achieve this, even as I further hone in the best possible on-stage working strategy.
You can listen to some of my stuff here. love to know what you think
til next time
cosmo d
d on myspace
Name's Cosmo D. I'm a cellist/producer/improvisor. I make a strange blend of electronic music that could be compared to the Books, Mouse on Mars or Arovane though it's reeeaaaaly funky. Anyway, I've put together a remix contest celebrating the release of my new track,Apothecary Passageway, which is, consequently on a new album of mine, Plantastic Joyage.
TheContest Info, prizes, which include a gift certificate to IKEA (!?), are listed here.
CLICK HERE TO DOWNLOAD FILES
But what am I doing with Live?
Live is the heart of my operation these days. I'm using Live while playing my cello into the computer running that software. I've got a midi foot controller that controls the various triggered aspects of the software (sample cue-ing, muting, record arming, beat switching, etc.) I've got a small continuous controller strapped to my thigh in case I need to turn stuff up or down. All the audio is routed through a fire-wire mixer. It's a fairly light setup, but it gets done what I need in terms of dynamic, live, improvised sequencing, with my cello-playing thrusting everything forward. I want to create sounds and ideas that are contsantly evolving, never repetitive, but still groove-based. Live is helping me achieve this, even as I further hone in the best possible on-stage working strategy.
You can listen to some of my stuff here. love to know what you think
til next time
cosmo d
d on myspace