New offerings:
1. The experimental (because it was our first) dual Lemur tag-team mix: Buoyant, a playful (if unpolished) romp to iron out our tag team technique. More recorded for fun than serious performance, but quite entertaining nonetheless.
2. The darker, more club appropriate Transient with more progressive elements and a hint of Jungle here and there.
Inflected Redhead is Allison Redhead and Inflection.
Buoyant - 1:45:24
(144.8 meg .mp3 file - 192kbps CBR/44.1 khz)
Transient - 1:18.00
(107.2 meg .mp3 file - 192kbps CBR/44.1 khz)
Recorded Live at Redhead Studios via Live 6.07
Encoded via LAME v3.97
Live 6.07
2x Lemur 1.6
2x CDJ-1000
White MacBook
Black MacBook
Monome 40h
-Ali
Inflected Redhead (Allison Redhead & Inflection)
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Allison Redhead
- Posts: 102
- Joined: Sat Jun 10, 2006 7:12 pm
- Contact:
Nice work, Red! I love the smooth mixes, and the prog sounds are fabulous...
my only critique is with the sound levels of Buoyant, where it sounds low and thin...consider running your mixes through a limiter or some light compression to thicken it up. If you like, I'd be happy to run them through my mastering chains...I've helped out several folks with that in the past.
Other than that, the content of both mixes is excellent. Thanks for posting.
my only critique is with the sound levels of Buoyant, where it sounds low and thin...consider running your mixes through a limiter or some light compression to thicken it up. If you like, I'd be happy to run them through my mastering chains...I've helped out several folks with that in the past.
Other than that, the content of both mixes is excellent. Thanks for posting.
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Allison Redhead
- Posts: 102
- Joined: Sat Jun 10, 2006 7:12 pm
- Contact:
Hi there.nebulae wrote:Nice work, Red! I love the smooth mixes, and the prog sounds are fabulous...
my only critique is with the sound levels of Buoyant, where it sounds low and thin...consider running your mixes through a limiter or some light compression to thicken it up. If you like, I'd be happy to run them through my mastering chains...I've helped out several folks with that in the past.
Other than that, the content of both mixes is excellent. Thanks for posting.
We spun the output of the entire thing at -6dB and used iZotope Ozone on the master for a bit of excitiation, limiting and multi-band compression.
I'd be interested in what changes you'd make. If you'd like, I'll spit out a raw version for re-mastering.