RIP - Neal Hefti - TV Batman composer

[knotkranky]

This is a self serving post and I don't expect anybody to care much but this theme song and the Batman TV series segue bits lit me up and got me interested in music when I was at least 7. This rocked at the time and had the coolest horn and vocal parts too. This theme track really made me love big band horn music especially when mixed with surf rock beats. Neal also penned the Odd Couple theme and a bunch of great tunes and arrangements with Count Basie and others. Thanks Neal - RIP.


http://www.youtube.com/watch?v=WkXw3jPgpy0


October 16, 2008
Neal Hefti, 85, Jazz and Hollywood Composer, Dies
By BRUCE WEBER

Neal Hefti, whose renown as a forward-looking composer and arranger for Woody Herman and Count Basie was probably overwhelmed forever after he went to Hollywood and wrote the theme for the 1960’s television show “Batman,” and for the movie and television versions of “The Odd Couple,” died Saturday at home in Toluca Lake, Calif. He was 85.

He died suddenly from an undetermined cause, his son, Paul, said. Mr. Hefti’s death was first reported in a blog posting by a friend, the singer Nancy Sinatra, on the website www.sinatrafamily.com.

Over the years, Mr. Hefti, first known as a jazz trumpeter in the 1940s and 1950s, was much admired and much in demand as an arranger, conductor and occasional record producer; he worked with Frank Sinatra, Doris Day, Mel Tormé and Tony Bennett, among others. He also led his own bands, and he was active as a player until 1960.

But his greatest sphere of influence was as an arranger and composer for other jazz artists. His early travels with jazz bands took him to New York, where he was mesmerized by the bebop playing of Dizzy Gillespie, and joined the Herman band — known as First Herd — in 1944. He was influential in moving that band from its swing roots in the direction of bebop.

He spent only two years with the Herd; when he left in 1946, he took the singer Frances Wayne, his new wife, with him. But by then he had created new arrangements for Herman’s compositions like “Woodchopper’s Ball” and “Blowin’ Up a Storm,” and composed tunes like “Apple Honey,” “Wild Root” and “The Good Earth.”

He toured with Harry James and he arranged tunes for Buddy Rich. Though he also toured and recorded with his own bands, sometimes with his wife, he never achieved real success as a bandleader. For him, the decade of the 1950’s was characterized by his association with the Basie band, for which he wrote perhaps his best known jazz tunes, including “Splanky,” “Little Pony,” “Li’l Darlin’,.” whose tempo Basie famously slowed down to a luscious and sensual crawl, and the perky “Cute.”

“If it wasn’t for Neal Hefti, the Basie band wouldn’t sound as good as it does,” Miles Davis said in 1955. “But Neal’s band can’t play those same arrangements nearly as well.”

Starting in the 1960s, Mr. Hefti found great success writing television and film scores. In addition to writing the theme for “The Odd Couple” (1968), which would be burned into the memories of baby boomers with the creation of the television series in 1970, he composed the scores for two other Neil Simon films, “Barefoot in the Park” (1967) and “Last of the Red Hot Lovers” (1972). His other film work included “Duel at Diablo” (1966), a brutal Western; Elaine May’s farce “A New Leaf” (1971), and the gleeful sex comedies “Sex and the Single Girl” (1964), “Boeing Boeing” (1965) and “How to Murder Your Wife” (1965).

There was a politically incorrect strain to Mr. Hefti’s work, possibly tongue-in-cheek; for the 1965 biographical film “Harlow,” he and Bobby Troup wrote the bluesy, winkingly sexist tune, Girl Talk.” (For the same movie, Mr. Hefti wrote “Lonely Girl,” the Bobby Vinton hit.)

“He felt his true work was done for the movies and television,” Paul Hefti said in a telephone interview on Wednesday. What his father especially liked about writing for the screen, he said, was that he was not restricted by a band’s instrumentation, that he could write for whatever combo, for whatever musicians he wanted.

Oddly enough, his most famous tune is among his least musically interesting, even if it was somehow brilliantly apt: the jauntily arch and repetitive theme for the television series “Batman.” Mr. Hefti said that the show was so campy it took him weeks to come up with a suitable melody. It won him his only Grammy.

Neal Paul Hefti was born in Hastings, Neb., on Oct. 29, 1922. He received a trumpet as a Christmas present when he was 10 years old; according to family lore, his mother encouraged him to play so that, if he were drafted, he would be in the band and not the infantry. By the time he was out of high school, he was arranging and playing for local bands in order to contribute to the household. He saw Count Basie and Dizzy Gillespie play when they passed through nearby Omaha before he ever saw them in New York.

His wife died in 1978; a daughter died in 1997. In addition to his son, also of Toluca Lake, Mr. Hefti is survived by a brother, Joe, of Pensacola, Fla.; a sister, Pat Wacha, of Clarkson, Neb.; and three grandchildren.

“He told me he tore up more paper on ‘Batman’ than on any other work he ever did,” Paul Hefti said. “He had to find something that worked with the lowest common denominator, so it would appeal to kids, yet wouldn’t sound stupid. What he came up with was a 12-bar blues with a guitar hook and one word.”


http://www.nytimes.com/2008/10/16/arts/ ... ref=slogin

[pilgrimomega]

This guy had style, and his body of work has totally inspired me over the years.


Thanks Neal!