Ableton Forum

[jur] wrote: ↑

Tue May 05, 2026 8:36 pm

You're not missing anything, you can't delete a device.
It's always 1 instrument + 2 FX.
When you don't want any FX processing, just use any device that has a Dry/Wet and set it to 0%.

Okay thank you. Seems like an odd thing to omit from the workflow but that'll do.

Hi, I feel dumb asking this but I can't find an answer anywhere. I just need to delete a single effect from a track on the Move and I can't figure it out. I don't remember if I tried this before the 2.0.0 update. But no combination of holding or pressing the delete button while pressing or ...

Came here to say this is still an issue and it is very frustrating to have to turn this back on every time I switch projects or turn on/off the unit.

Will do!

Hello, I recently started using MPE Control to help convert MPE to MIDI for some external gear and noticed a couple problematic things ...

1 -- When re-opening a project previously saved with the MPE Control setting "NotePB to PB" turned on, MPE Control behaves as though this setting is turned off ...

That's because 16 pitches use note pitch bend, not note transpose.
So if your external hardware doesn't support MPE, you'd need to translate these Note PB to proper transposed note values. It's doable in M4L.


Thanks for the reply. Based on this info, I made a temporary workaround by loading up ...

Hello forum. The 16 pitches feature for Push is really fantastic but there's just one problem I'm running into...

When trying to use the 16 pitches layout with external hardware, the note pitch information doesn't translate. No matter what pad I play in 16 pitches mode, the MIDI information is ...

How do I know whether packs available for purchase on Ableton.com will be compatible with Push 3S via the "Available Packs" feature?

I've already run into the headache of not being able to install free packs ... Although there is a workaround for this (adding them to User Library), the result is ...

I can also confirm that getting an access point separate from my internet router fixed this problem for me. No more lost connections!

I picked up a TP-LINK RE305. It's a range extender/access point. Set it up, gave the new connection a different name, put my computer and Push 3 on the new network ...

With all the bells and whistles of Push 3, it's hard to believe that something as essential as a functioning spectrum analyzer would be missing.

Are there any plans to make Spectrum functional?

I realize EQ 8 can be used as a backup but it just seems like an awkward workaround with less flexibility.

I'm also having all the problems you listed, mrbiggs.

My biggest gripe, beyond 3rd party plugs being mapped strangely in some cases, is the fact I cannot access plugin parameters beyond the first 64 when using HyperControl. Like you said, M-Audio aren't of much help--my thread is still dangling ...

ahh, excellent idea mr. boozy. i knew the answer was right there under my nose! i just couldn't quite pin it. it'll take a little work getting the loop point sounding seamless, but i have my ways. appreciate it!

OK, so I played around with Simpler (I've actually never had to use it before). It's starting to make sense. So, what I did was load the device in, drag an audio sample into it, set the loop region to the entire length of the file, then record an 8 bar clip on the track, so it repeats every 8 bars ...

This is probably a noob question, but I can't seem to locate the answer on the forums.

I'm recording audio into clips for looping purposes. The problem is the audio has a tail, i.e. a synth with long release, that doesn't want to be cut off when the loop repeats.

How can I play the tail audio and ...

1). Instead of being limited to a strict "row only" scene activation, I think there should be the option to freely link any clips you want, whether in the same row or otherwise, to a scene launch button. I personally have lots of interchangeable clips and don't want to be stuck thinking about scenes ...