Tone Deft wrote:diskowipe wrote:you know somethings up when a company has to publish an audio fact sheet about their program because so many people complain...
that's retarded. there's nothing in that fact sheet that's surprising, it's merely a guide on how to use Live.
you've stated nothing substantial in this thread. you're not a complete noob, I'll give you that but you don't know enough to make a proper argument. you know enough to know there are problems but you can't actually pin a single problem down.
examples or stfu.
The midi factsheet is a rather bad joke to tell the least... naming certain problems as unsolveable facts and claiming ableton live to be superior by achiving less than 5 ms midi jitter while beeing silent about that the other competitors have much better data there since decades without even the need to talk about.
Between the lines the midi fact sheet reaads like :
#midi sucks on this program
I dont know if the same can be apllied tp the audio fact sheet... but opposite to the midi one it dont gives any technical data.. is that a good or a bad sign?
when the same can be applied to the audio fact sheet ableton must have some kind of unsolveable problem with that...
Regarding 32bit floating point audio and its audio drawbacks when having an open gain structure was some interestink articles and book from theese Rane guy...
If its true what he claims there its not a wise choice to handle the levels in a daw like Ableton is doing it in Life
