uh yeah i f@#king want steak and lobster off your grill
good luck... hang in there... Live 9 isn't out yet, you've come too far to write it off, ride it out instead. just a little longer.
peace.
steak and lobster
very poor decision not to start rewriting sooner, I think loads of people were expecting Live 9 to be the rewrite... I was almost certain it would be, the PDC problem indicates very little has actually changed. I mean this is the reason why someone like Bitwig with it's fresh code can quickly develop features that Live spent years developingze2be wrote:you might have it there. Old "clunky" code may very well be the reason. I remember they once said they needed to do a complete rewrite to get session automation done. Maybe they didnt make it in time due to all the Live 8 bug fixings after the release, and made sort of a workaround code for now. Its only speculations, but it does seem logical that they would rewrite the code for live 10. Especially if what you have herd is true. It sounds logical. Cubase did the same thing. Ive used cubase since 1990. SX was a complete rewrite. Cubase VST was a mess in the end.
enjoy dude. I have to wait a little longer but I also have to suspend hope due to beta evidenceH20nly wrote:good night... i just got a call from a friend across the street asking me if i want steak and lobster off his grill...
uh yeah i f@#king want steak and lobster off your grill![]()
good luck... hang in there... Live 9 isn't out yet, you've come too far to write it off, ride it out instead. just a little longer.
peace.
steak and lobster![]()
The Bitwig guys actually worked in Ableton HQ as programers, and quit just before live 8 was released. It has been speculated that they did so because they wanted a rewrite sooner then the company wanted. And so decided to have a go themself.sdfak1234 wrote:very poor decision not to start rewriting sooner, I think loads of people were expecting Live 9 to be the rewrite... I was almost certain it would be, the PDC problem indicates very little has actually changed. I mean this is the reason why someone like Bitwig with it's fresh code can quickly develop features that Live spent years developing
happy birthday dude and sleep well! - I'd get in on this lobster action but I'm allergicze2be wrote:The Bitwig guys actually worked in Ableton HQ as programers, and quit just before live 8 was released. It has been speculated that they did so because they wanted a rewrite sooner then the company wanted. And so decided to have a go themself.sdfak1234 wrote:very poor decision not to start rewriting sooner, I think loads of people were expecting Live 9 to be the rewrite... I was almost certain it would be, the PDC problem indicates very little has actually changed. I mean this is the reason why someone like Bitwig with it's fresh code can quickly develop features that Live spent years developing
Happy grilling H2Only! Lobster on the grill...yummy!
Ill go get some sleep actually, its like 4 in the morning over here. Oh, and its my birthday already, dammit! Maybe ill have some lobster when I wake up
Thanks! I also have some alergies. Like apples and other nice fruits. Sucks. Good night.sdfak1234 wrote:happy birthday dude and sleep well! - I'd get in on this lobster action but I'm allergic
that's one hilarious bit of speculation!ze2be wrote:The Bitwig guys actually worked in Ableton HQ as programers, and quit just before live 8 was released. It has been speculated that they did so because they wanted a rewrite sooner then the company wanted. And so decided to have a go themself.
His anger speaks for meze2be wrote:Look, if you want to make people listen to you, I would humbly suggest you to cool down and change your tone a bit. And your personal anger does not speak from us all, even though some of us agree that pdc can be troublesome in certain situations.sdfak1234 wrote: if Live9 doesn't have PDC on automation, then Ableton is a JOKE, and have been wasting loyal followers time for years and years, it's a travesty and an insult to us all.
+1sdfak1234 wrote:The only thing Ableton gave a damn about was their new controller so they could make bigger margins - same with Live8 and the APC... without core improvements, Live9 is pathetic, session automation should've been there all along and won't even work well without proper PDC, the browser is rudimentary/also should've been improved a long time ago. Midi editing features, super basic. New sounds and FX??? yawn, what a disgrace. The same app with one fixed feature (not a new feature) and more bloat on top. 3 years and to top it off this company thinks so little of us that we don't deserve any communication or dialog??? what kind of delusion is this? the dream/fantasy is over. wake up.
I'm a programmer myself, I run a software company and I could've rewritten Live on my own in 3 years. W.T.F.!
You know whats messed up too, I just assumed PDC was fixed and that would make this a great update because all the other features would work properly then, but the lack of core improvements just makes these new features look ridiculous.
I'm going to make sure this issue is at least addressed in publications when Live9 goes out for review, that should be easy enough.
dude there is a setting in the menu that does this now.Ghost Mutt wrote:Everyone's seen this yeah?
Live has a so called "playthrough optimization" which disables the plugin delay compensation for all tracks that are record-ready or have the "Monitor" switch set to "IN". The reason is that we assume that you want to play a software instrument (or resp. monitor an audio input) with the lowest possible latency. In other words, you will only get the latency of your audio interface + the latency of the actual plugin device instead of the overall latency of the entire project.
You can disable the "playthrough optimization" with the option.txt entry:
-StrictDelayCompensation
This disables Live's play-through optimization.
When delay compensation is on, don't play-through optimize (favor exact sync over low latency).
For more info about the Option txt, please see:
http://www.ableton.com/pages/faq/options_text
Hmm, interesting. But this seems to work for "monitor" and "in" only. Have you tried it? I also get huge latency on plugs and fx racks in sends.Ghost Mutt wrote:Live has a so called "playthrough optimization" which disables the plugin delay compensation for all tracks that are record-ready or have the "Monitor" switch set to "IN". The reason is that we assume that you want to play a software instrument (or resp. monitor an audio input) with the lowest possible latency. In other words, you will only get the latency of your audio interface + the latency of the actual plugin device instead of the overall latency of the entire project.
You can disable the "playthrough optimization" with the option.txt entry