Swing and Groove - What the fork?
LMAO LOL!!!nebulae wrote:
hubba hubba!?
do you work for istockphoto or something?! I swear, it's like you have had the EastWest Collosus of stock pictures! ?!!
http://www.mesmero.net
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Hidden Driveways wrote:This doesn't answer your question at all, but I said it anyway simply for the joy of making a post.
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bland_handl
- Posts: 239
- Joined: Tue Oct 11, 2005 6:08 am
- Location: sydney
Proof I've become a nerd:
wishing that the class would stop being distracted by people putting chickens in their bottoms and get back to the serious business of learning!
A couple of questions though:
1. Anyone got some good techniques/info on transitioning between different time signatures?
2. Anyone have any good suggestions on switching tempos in a natural way (particularly the trickiest: shifting to a faster tempo)?
3. Anyone have some good techniques for emulating groove quantize in Live (other than the global swing concept)?
4. Does anyone have a set of midi clips that emulates Logic's quantize templates to share?
5. Who was it that put the kibble in my pants?
wishing that the class would stop being distracted by people putting chickens in their bottoms and get back to the serious business of learning!
A couple of questions though:
1. Anyone got some good techniques/info on transitioning between different time signatures?
2. Anyone have any good suggestions on switching tempos in a natural way (particularly the trickiest: shifting to a faster tempo)?
3. Anyone have some good techniques for emulating groove quantize in Live (other than the global swing concept)?
4. Does anyone have a set of midi clips that emulates Logic's quantize templates to share?
5. Who was it that put the kibble in my pants?
so you normally put swing only on drums / percussion ?
what about the rest, bass......
i am always afraid that different timings on different tracks
would make the song sound untight...
and if you want to apply the groove of a drumloop to your
track in live - what do you do ? warp the drumloop (set warp
markers as if you want to completely kill the groove of the loop ?)
and then you choose....what....?
what about the rest, bass......
i am always afraid that different timings on different tracks
would make the song sound untight...
and if you want to apply the groove of a drumloop to your
track in live - what do you do ? warp the drumloop (set warp
markers as if you want to completely kill the groove of the loop ?)
and then you choose....what....?
I remember when I used to use Reason 1.o when it came out and I didn't know what shuffle did on the redrum so I just didn't use it. Man, I can't imagine doing just straight beats now. I'd be lost without swing to be honest. And when I say swing I usually mean triplet quantization because as Neb mentioned, that's the way to achieve swing per clip/track if you don't want to use global swing.
I pretty much never use the global swing actually. I'm happy to use quantization. I know it's been explained, but here's my own simplified perspective: A 4/4 beat will have 4 1/16th notes per beat. Adding a certain % of swing/shuffle to the sixteenth notes makes the even notes late by that percentage of how far apart 16th note triplets are from each other. So if you quantized to 100%, the first and second beats would now be as far apart as a triplet rather than a regular 1/16th note. And the 4th 1/16th note is as far away from the 3rd as a triplet. So you don't actually end up with triplets in this quantization, as there is no third triplet (only the second 1/16th note is where the second triplet would be), more like triplet spacing for certain notes.
So ya, 1/16th note triplet quantization is essentially 1/16th note swing and I love it. Hopefully that angle on things helps with the previous explanations some.
I pretty much never use the global swing actually. I'm happy to use quantization. I know it's been explained, but here's my own simplified perspective: A 4/4 beat will have 4 1/16th notes per beat. Adding a certain % of swing/shuffle to the sixteenth notes makes the even notes late by that percentage of how far apart 16th note triplets are from each other. So if you quantized to 100%, the first and second beats would now be as far apart as a triplet rather than a regular 1/16th note. And the 4th 1/16th note is as far away from the 3rd as a triplet. So you don't actually end up with triplets in this quantization, as there is no third triplet (only the second 1/16th note is where the second triplet would be), more like triplet spacing for certain notes.
So ya, 1/16th note triplet quantization is essentially 1/16th note swing and I love it. Hopefully that angle on things helps with the previous explanations some.
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siliconarc
- Posts: 2872
- Joined: Mon Jul 16, 2007 12:27 pm
- Location: UK
- Contact:
check this out - may be a useful method for you..bland_handl wrote:3. Anyone have some good techniques for emulating groove quantize in Live (other than the global swing concept)?
http://www.ableton.com/forum/viewtopic.php?t=89013


