You have access to PT Le? and you have a few homies that can't stand Pro tools? That's your argument? Well there it is everybody, pack it up, game over. Right, let's forget about the other million serious cats who love it.???leedsquietman wrote:I have access to one at work, along with Logic and Cubase.
Vastly overpriced. The system itself is good for audio and audio editing, MIDI is just as weak as PTLE and it has too many restrictions like only 5 inserts per channel. Some of the plugins are nice, but mostly you can get these for native systems or excellent alternatives. The very low latency is of benefit, but you can get super low latencies on RME interfaces too.
I stand by my earlier comment. The uneducated are the ones who blindly follow. I know several engineers who run ProTools courses who cannot even stand the software and use Cubase or Logic or Sonar.
Dude, give it a rest. You are not qualified with PT enough to confuse people on this board which is the only problem I have with you. PT started out as a pro studio system and still is. PT Le is merely an entry level step introduced years after the fact. It is an industry standard not because of Le, but because of the pci and nubus line for professional production. Lots of people have that in their homes and it's only over-priced for people who don't make money in the business.
Ok, 5 inserts?
Yeah, with 128 internal busses. Not to mention the 192 audio tracks, 10 sends per track, , 160 aux inputs. If you had any chops on PT you would not have mentioned any insert limitation.
Midi? PT7 midi was really good, PT8 midi has just crushed them all. Game over.
Yes, PT has the lowest latency over all tracks simultaneously. Even in the middle of a hundred track mix session with 50 48bit dbl precision plugins going all the way to the mix buss, you can perform and record a Vi as easy as just dropping in without a worry or delay.
Uneducated? Blindly follow? You think that's me and my homies? Oh, the irony.