Heh. fair enough.anamexis wrote:There's an upgrade for that.tempus3r wrote:One thing I don't like from looking at the pictures is that the knobs seem to have a smooth finish.
I hate smooth feeling knobs. When you're on stage and get sweaty your hands slip right off knobs like that.
Some sort of texture makes a big difference.
http://www.inlinewarehouse.com/descpage-RSRT.html
New akai ableton controller
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If you want to sweep a control from 0 to 128, then from 0 to 128 again, you CAN with endless.loyd9000 wrote:how can somebody wish there is endless encoders ? what is good about them.
i never understood. you dont have any feeling trying to turn something to max when there is no physical stop in the knob.. ?
i wont buy it if there is 16 knobs i cant use 'cos thery are endless...
Without endless, you have to go from 128 to 0 to start that sweep over again.
With endless, it's your choice to just keep turning and 128 becomes 0 instantly.
That's the basic advantage.
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Bank switching with no jumps in parameter values.loyd9000 wrote:how can somebody wish there is endless encoders ? what is good about them.
i never understood. you dont have any feeling trying to turn something to max when there is no physical stop in the knob.. ?
i wont buy it if there is 16 knobs i cant use 'cos thery are endless...
moot point. with OSC you can do whatever you want. think about it, re-read that press release again, the part about the ability to tweak hardware.tempus3r wrote:If you want to sweep a control from 0 to 128, then from 0 to 128 again, you CAN with endless.loyd9000 wrote:how can somebody wish there is endless encoders ? what is good about them.
i never understood. you dont have any feeling trying to turn something to max when there is no physical stop in the knob.. ?
i wont buy it if there is 16 knobs i cant use 'cos thery are endless...
Without endless, you have to go from 128 to 0 to start that sweep over again.
With endless, it's your choice to just keep turning and 128 becomes 0 instantly.
That's the basic advantage.
In my life
Why do I smile
At people who I'd much rather kick in the eye?
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Why do I smile
At people who I'd much rather kick in the eye?
-Moz
the benefit of endless encoders is - when you switch banks you can still turn the damn knob !loyd9000 wrote:how can somebody wish there is endless encoders ? what is good about them.
i never understood. you dont have any feeling trying to turn something to max when there is no physical stop in the knob.. ?
i wont buy it if there is 16 knobs i cant use 'cos thery are endless...
imagine you have an instrument selected, you use an encoder to open up the filter to the max. Now you change tracks and instruments but must use the same encoder to try and open up the filter on a new device. If your dial has a stop - then you aren't going to be rotating it any further clockwise are you?
Furthermore endless encoders mean you can immediately see and control any parameter you switch to - you do not need a 'pick-up' mode as the software variable and the hardware dial are always in unison.
I would have liked a combination, like on the Novation Remote Zero.loyd9000 wrote:how can somebody wish there is endless encoders ? what is good about them........
i wont buy it if there is 16 knobs i cant use 'cos thery are endless...
Still, at least they give BCR style visual feedback, which is better than the AKAI MPDs.
While not concrete, more than just a guess:Angstrom wrote:er, wasn't that price just a guess by a forum member?jamester wrote:Lovely as she may be, $800 might be a bit much for me...
no RRP yet
http://www.skratchworx.com/news3/comments.php?id=1100UPDATE: UK details - £399 and ETA April. But don't hold me to that.
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Excellent point.Angstrom wrote:the benefit of endless encoders is - when you switch banks you can still turn the damn knob !loyd9000 wrote:how can somebody wish there is endless encoders ? what is good about them.
i never understood. you dont have any feeling trying to turn something to max when there is no physical stop in the knob.. ?
i wont buy it if there is 16 knobs i cant use 'cos thery are endless...
imagine you have an instrument selected, you use an encoder to open up the filter to the max. Now you change tracks and instruments but must use the same encoder to try and open up the filter on a new device. If your dial has a stop - then you aren't going to be rotating it any further clockwise are you?
Furthermore endless encoders mean you can immediately see and control any parameter you switch to - you do not need a 'pick-up' mode as the software variable and the hardware dial are always in unison.
MBP | Live 9 Suite | Max for Live | Push | MOTU Ultralite | iPad | Analog Modular Synths | Moog Voyager
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I'm trying to picture this in my head:
Any ideas?
How is this going to work exactly? Is it like a zoom-out kind of thing where the 40 illuminated triggers sort of change to show you more cells? I can't really picture that."You can shift your clip focus and get an overview of the clips you have loaded for your set.
Any ideas?