You remind me of a German fella who had it all figured out.
Regardless of the facts, what you say is the ultimate truth. So the argument goes on. With both parties unable to actually specify which tasks these guys had at Ableton. I haven't heard the word Vember Audio yet, so I suppose the history is lost on you too.
If you dig into the beta discussions, you can exactly figure out what some of these guys focused on. Did they win the 25k grant after or before they left Ableton?
Why would anybody leave an audio company with over 500% growth and M4L coming up?
Maybe they had an idea that complemented Ableton's idea. So obviously great that they can win an innovation award (startup grant). Correct me if I'm wrong, but Ableton's hall is loaded with awards.
It goes something like this from left to right = hundreds of music magazines - midi controllers - awards..
To suggest that those 4 guys are key to Ableton's success is ignorant at best. Some of them barely were there for a year.
But if they're smart enough to win an innovation award in Germany of all places, why the hell would they stay at Ableton getting paid a programmers wage.
Even if Ableton paid them more, still doesn't change the fact that they could be their own boss. No amount of job satisfaction or wages can make up for that.
So yeah. More facts please!
What did they work on in Live?
What are they making now?
I think its some kind of car or sequencer
