Post
by fugu » Sun Mar 16, 2003 9:34 am
Hi,
1st things 1st, the EZBus works just fine in 10.2 as a control surface for Live (2.03) as long as it's setup properly in the Audio/MIDI Setup application in 10.2 (this involves creating a single interface device (the EZBus virtual controllers) and attaching it to MIDI I/O 1 on the Main EZBus Device).
A source of confusion however is that there is no EZBus Profile editor for MacOSX, one needs to use WinME, 2K, XP (i have VPC so it's not too bad) to access the Profile Editor to create a profile for Live.
Also, Live's creation processes are different enough to make me pause in how best to map the available control options to the EZBus control surface..
While new to Live, I can already see myself using it a few different ways, so (as with any control surface) it'll take a little while until i'm settled on a Function mapping (the EZBus Virtual Map Profile Consists of: 8 'virtual scenes' each 4 'pages' deep.
8*4=32 'virtual surfaces'
Each Surface contains the following controllers:
9 faders
27 buttons
5 transport controls
8 location calls, and an input wheel.
Each controller can transmit in a number of differnet modes (3 way switch, fader constraints, etc) and methods so mapping that to Live's Session and Arrangment Possibilities are going to be fun but probably some time too..
Also, Live's Template file (~/Library/Preferences/Ableton/Live2.x/Template.als) would need to be made in tandem to the EZBus profile.
I hope to post some results of my mapping as soon as they're ready, but at this point i've done little more then size it up. However, at first glance, some diligence could easily yield dramatic results for Arranging and Performance/Session playing in Live.
I got the EZBus for it's Mixer and MIDI ports, but the complexity as a control surface is not to be missed, too bad that there's not a Profile map editor for MacOSX, or a Control Template manager within Live.