M-Audio Ozonic

Discuss music production with Ableton Live.
Rahlo
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Post by Rahlo » Tue Feb 08, 2005 8:30 pm

milka wrote:thanks Rahlo, how do you use Ozonic in your Live setup... to trigger the
loops or scenes using the keys and move the faders /mute buttons to control tracks. Do you use the prelisten outputs during the live gig, do you run a complete show of Live or do you integrate it with other gear- musicians , instruments ..?
could you describe your Live onstage setup ?
thanks in advance,
peace - milka

P.S. checked some beats on your site - great stuff and a nice forum you got there - right on!
Thanks for the love on the site and the beats dood! I appreciate you taking the time to check it all out.

I use the ozonic a couple different ways, depending on the venue and my situation. The main use of it is as follows: My beats are split onto 8 tracks in Live (ch. 1=kick, ch. 2=snare, etc), with a 9th track for my live vocal input and fx. All of this comes out of Live via a pair of outputs on the Ozonic. I use the keys on the ozonic to trigger scenes, and I also use a UC-33 to control channel faders and sends.

I'd like to eventually use the ozonic for everything and leave out the uc-33, but it's handy having 3 dedicated send buttons for each track.

I run Live and nothing else for my live shows. I'm currently teaching my sound guy/booking agent to run my Live show on his powerbook, so I can devote myself more fully to interacting with the audience.

hth
peace,

rahlo
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milka
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Post by milka » Tue Feb 08, 2005 9:47 pm

diggin' "what we do" yo man!
so u wire your voice mic into Live ..cooL, how is your PB dealing with 9 tracks +fx's? how long is your live set, i am planning a set with a keyboard player/percussion playerand and MC + myself on Live and a sax/flute .. with iBook G4 1Mhz... figuring out the best setup for small stage ... wish i had another pair of hands to play sax and trigger Live at the same time ;)

Rahlo
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Post by Rahlo » Wed Feb 09, 2005 1:09 am

milka wrote:diggin' "what we do" yo man!
so u wire your voice mic into Live ..cooL, how is your PB dealing with 9 tracks +fx's? how long is your live set, i am planning a set with a keyboard player/percussion playerand and MC + myself on Live and a sax/flute .. with iBook G4 1Mhz... figuring out the best setup for small stage ... wish i had another pair of hands to play sax and trigger Live at the same time ;)
It's workin' out sweet. Before the Ozonic I used a motu 828, and it was fine--no audio dropouts or system overloads. 30%-40% is the highest I've ever noticed the cpu meter reading.

Honestly, for a long time, I was not only running live and doing the vocal fx thing, but i also ran audiodesk in the background and recorded the whole show live to the internal hard drive—and all of this on a powerbook 800, no less (this was before I got my current unit). Of course, I'd upgraded that particular hard drive to a 7200 rpm model.

I got some more stuff coming out in the next few months bro. Keep checking back. You got anything on the web i can check out?
peace,

rahlo
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milka
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Post by milka » Wed Feb 09, 2005 3:07 pm

rahlo wrote:It's workin' out sweet. Before the Ozonic I used a motu 828, and it was fine--no audio dropouts or system overloads. 30%-40% is the highest I've ever noticed the cpu meter reading.

Honestly, for a long time, I was not only running live and doing the vocal fx thing, but i also ran audiodesk in the background and recorded the whole show live to the internal hard drive—and all of this on a powerbook 800, no less (this was before I got my current unit). Of course, I'd upgraded that particular hard drive to a 7200 rpm model.

I got some more stuff coming out in the next few months bro. Keep checking back. You got anything on the web i can check out?
u could run Ableton Live and record live set with MOTU Audiodesk software at the same time on the same Powerbook 800Mhz G4? - that's amasing! maybe i should give it a try... since
i got MOTU 282 aswell .. and Audiodesk for OS9 (never used it )..but i went OSX completely since 2 years now... so you 7200Rpm HD gives overall performance improvements, i am thinking on supping up my tired 'Pismo' Powerbook G3 500Mhz ...just can't say good by to it best portable design Apple ever came up with :(
iBook G4 1Mhz/Korg Kontrol 49/Evolution U-Control/Evolution UC-33/Logic/Reason/Live/ http://www.shapko.com

Rahlo
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Post by Rahlo » Wed Feb 09, 2005 3:26 pm

milka wrote:
rahlo wrote:It's workin' out sweet. Before the Ozonic I used a motu 828, and it was fine--no audio dropouts or system overloads. 30%-40% is the highest I've ever noticed the cpu meter reading.

Honestly, for a long time, I was not only running live and doing the vocal fx thing, but i also ran audiodesk in the background and recorded the whole show live to the internal hard drive—and all of this on a powerbook 800, no less (this was before I got my current unit). Of course, I'd upgraded that particular hard drive to a 7200 rpm model.

I got some more stuff coming out in the next few months bro. Keep checking back. You got anything on the web i can check out?
u could run Ableton Live and record live set with MOTU Audiodesk software at the same time on the same Powerbook 800Mhz G4? - that's amasing! maybe i should give it a try... since
i got MOTU 282 aswell .. and Audiodesk for OS9 (never used it )..but i went OSX completely since 2 years now... so you 7200Rpm HD gives overall performance improvements, i am thinking on supping up my tired 'Pismo' Powerbook G3 500Mhz ...just can't say good by to it best portable design Apple ever came up with :(

Yep. I did that for a couple of years at least. It worked great, and I never had a crash or any problems with it either.

As for Audiodesk for OS X, I think it's a free download from the motu site. The only thing is though, is that you have to have a cd of it, sort of like Reason requires when you install it.

Contact MOTU and explain your situation. I think it's a free upgrade. I think.

The Pismo was/is a rock solid unit! You can still do a LOT with those babies!
peace,

rahlo
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MacBook Pro, Live 8, Reason 4, Akai MPD 32, Akai MPK 49, Akai APC 40, Metric Halo ULN-2 expanded, Apogee Duet.

kid music
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Post by kid music » Thu Feb 10, 2005 1:52 am

What latency (in, out, AND total) are you running Live and the Ozonic at?

Thanks,

kid music

Rahlo
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Post by Rahlo » Thu Feb 10, 2005 2:13 am

kid music wrote:What latency (in, out, AND total) are you running Live and the Ozonic at?

Thanks,

kid music
I run it at a little less than 256 samples, which is about 4 ms. I've tracked vocals lower than that, but with all I do live, 256 works out great so far.
peace,

rahlo
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http://www.rahlo.com

MacBook Pro, Live 8, Reason 4, Akai MPD 32, Akai MPK 49, Akai APC 40, Metric Halo ULN-2 expanded, Apogee Duet.

tribalogical
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Post by tribalogical » Fri Feb 11, 2005 12:28 pm

hey rahlo,

I've been reading about the Ozonic, and thinking to pick one up. I touched one at a local dealer, but it wasn't powered or hooked up to anything yet (just arrived)...

currently I'm using an Edirol PCR-M30 + M-Audio FW410 together with a powerbook 1.25Ghz. That's ok but for two things... I end up with an extra wall-wart with the pcr30, and the FW410 latency isn't very good at all..... I'm ready to dump it... I really like the layout of the 410, just can't handle its poor driver quality....

if you're getting 4ms (I assume that's one way, right? In Live, total latency is = to in + out) that's pretty good. Better than I'm getting with the 410.... Best I've been stable at is about 10ms one way... any less and the cpu goes either way too high or the crackling starts (usually both).... granted, that's probably with more channels active than the Ozonic has in total, but still, not entirely acceptable...

How is the cpu holding up when you're running at 256 samples / 4ms? And how is the overall sound/convertor quality?

One more question (someone else asked this too I think): When I use the 410, I can set the Cue Out in Live so that my cuing only hits the headphones, but not the main outs... once I've set up the routing, it's 'hands-free'.. is this still the case with the Ozonic? Or do you have to physically shift between the A/B streams to hear the cue mix through headphones?

I must say the keyboard and knobs/sliders felt pretty good when I checked it out..... surprisingly solid for an M-Audio controller. The keyboard was a tad "clattery", but I think all the smaller keyboards are...

Sorry about all the questions! I'm poised to pick one up and haven't found anyone else yet who's using it!

peace,
tribalogical

Rahlo
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Post by Rahlo » Fri Feb 11, 2005 4:36 pm

tribalogical wrote:hey rahlo,

I've been reading about the Ozonic, and thinking to pick one up. I touched one at a local dealer, but it wasn't powered or hooked up to anything yet (just arrived)...

currently I'm using an Edirol PCR-M30 + M-Audio FW410 together with a powerbook 1.25Ghz. That's ok but for two things... I end up with an extra wall-wart with the pcr30, and the FW410 latency isn't very good at all..... I'm ready to dump it... I really like the layout of the 410, just can't handle its poor driver quality....

if you're getting 4ms (I assume that's one way, right? In Live, total latency is = to in + out) that's pretty good. Better than I'm getting with the 410.... Best I've been stable at is about 10ms one way... any less and the cpu goes either way too high or the crackling starts (usually both).... granted, that's probably with more channels active than the Ozonic has in total, but still, not entirely acceptable...

How is the cpu holding up when you're running at 256 samples / 4ms? And how is the overall sound/convertor quality?

One more question (someone else asked this too I think): When I use the 410, I can set the Cue Out in Live so that my cuing only hits the headphones, but not the main outs... once I've set up the routing, it's 'hands-free'.. is this still the case with the Ozonic? Or do you have to physically shift between the A/B streams to hear the cue mix through headphones?

I must say the keyboard and knobs/sliders felt pretty good when I checked it out..... surprisingly solid for an M-Audio controller. The keyboard was a tad "clattery", but I think all the smaller keyboards are...

Sorry about all the questions! I'm poised to pick one up and haven't found anyone else yet who's using it!

peace,
tribalogical
Whaddup tribalogical? How're things over in Japan? Dood, you are so fortunate. I've been there once, and have been dying to get back!

Anyway, the Ozonic's routing: Once you set it up, it's hands free, though I haven't used it that way yet. I can see it in the routing and in the outputs though that you can totally use it the way you describe--routing the headphones to a seperate output from the main outs. Most of the shows I do these days are solo, so I don't have a need for a seperate heaphone output. But, i just hooked up with a cat who's djing for me and he's using Live, and this week is our first set of shows together. He hasn't set up Live yet as you describe b/c he's basically doing my solo set. But, we're migrating slowly over to him doing more improvising while I rap, so gimme a week or two, and I can speak more credibly to this feature.

As for the latency, let me check it again at tonight's sound check. I'd been using a motu 828 mk2 before this, and I just set the ozonic to the same latency settings I was using with 828. I'll do a little more extensive test at tonight's sound check, and report back some solid info.

Also, when I said I'd done some vocal tracking at lower latencies, I was referring to the 828--I should've been more clear on that. Sorry about that man. Vocals wise, I've routed my vocal mic into the Ozonic, monitored it in Live, and applied fx to the vocal. It sounded great.

So far, I have no complaints about the sound of it. It sounds as good to my ears as the 828 does. It's easy to set up, and seems to be stable. It's driver is a little finicky sometimes though. If I start Live up before plugging the Ozonic into the firewire port, sometimes Live won't pick it up when I go to the prefs to select it. I have to put the powerbook to sleep, connect the Ozonic, start Live, then everything is everything. It's not a big deal now that I know that's the case, but I wasn't real thrilled with how intermittent it seemed to be working before.

As for the solidness of the build, it seems no worse than the Oxygen 8 to me, and that thing has been sooo solid for me. In fact, like you said, the build quality of the Ozonic may be a bit better--especially the feel of the keys.

The one cable bus powered thing is what sold me, b/c it reduces the amount of stuff i have to bring on the road. I'm selling one of my 828's, and possibly one of my Oxygen 8's because I'm mostly using this unit now. It's much more immediate for me if I wanna record a scratch vocal or something like that.

I reccommend it, but keep in mind that I've only had it now for about 2 weeks, and the way I use it to this point isn't very taxing on the cpu. It may behave differently under different circumstances.

I'll hit you back when I have more info.
peace,

rahlo
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montrealbreaks
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Post by montrealbreaks » Mon Feb 21, 2005 4:27 am

Hey all.

I am kinda diggin on the Ozonic myself,and have been considering two options...

1: Keep my Remote 25 and buy a 24/96K interface like the Echo Indigo DJ

2: Dump the Remote 25 and just pick up an Ozonic for everything.

Naturally, money's an issue... (Rahlo, I know you know what I mean - sorry about not buying that 828 a while back, but the $$$ just weren't there at the time man...)

Anyways, I was wondering two things about the Ozonic that I can't find on the M-audio website.

First, are the Ozonic AD/DA converters 24 bit? NOWHERE on the site, in the manual or anywhere does it say. With a dynamic range of 105-106 db, I would ASSUME that they are, but hey - I won't part with my money on an assumption.

Second, what are the physical dimensions of the Ozonic? Inches across, deep and high? It's hard to gauge from pics on the internet.

Anyways, does anybody have any good experiences wsing a PC with the Ozonic?

Thanks for the advice in advance.

I have changed my username; Now posting as:


M. Bréqs

Rahlo
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Post by Rahlo » Mon Feb 21, 2005 4:42 am

montrealbreaks wrote:Hey all.

I am kinda diggin on the Ozonic myself,and have been considering two options...

1: Keep my Remote 25 and buy a 24/96K interface like the Echo Indigo DJ

2: Dump the Remote 25 and just pick up an Ozonic for everything.

Naturally, money's an issue... (Rahlo, I know you know what I mean - sorry about not buying that 828 a while back, but the $$$ just weren't there at the time man...)

Anyways, I was wondering two things about the Ozonic that I can't find on the M-audio website.

First, are the Ozonic AD/DA converters 24 bit? NOWHERE on the site, in the manual or anywhere does it say. With a dynamic range of 105-106 db, I would ASSUME that they are, but hey - I won't part with my money on an assumption.

Second, what are the physical dimensions of the Ozonic? Inches across, deep and high? It's hard to gauge from pics on the internet.

Anyways, does anybody have any good experiences wsing a PC with the Ozonic?

Thanks for the advice in advance.
Marcus, no sweat on the 828 dude. If anybody understands the whole financial thing with gear, it's me.

The ozonic's converters are indeed 24 bit. They sound good. I have discovered, however, that its driver isn't as well written as Motu's stuff. By well written, I mean this: at a buffer size of 256, the 828 gave waay lower latency than the Ozonic—like 5 or 6 ms. The Ozonic is 19 seconds both ways for a whopping 38 ms of latency—at 256 too. I can forgive this, though, b/c in the interest of simplifying, I NEED my road AI to be what the Ozone is.

Btw, here's a link to the Ozonic video on M-audio's site:
http://www.midiman.com/index.php?do=media.ozonicvideo

It's hot dude, in spite of the latency thing.

Sam Ash lets you return it within 30 days. Try it out!
peace,

rahlo
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montrealbreaks
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Post by montrealbreaks » Tue Feb 22, 2005 12:47 am

Wow. I'm pretty disappointed about that latency. Yuck.

For me, I have started trying to do Ryan's thing, starting out with a blank live set and just hitting record and seing what happens... But, I am doing 100% MIDI, and then re-recording audio clips from my midi instruments. Naturally, a long, slow latency is bad for recording MIDI, since my timing's all out of whack, and I couldn't play a proper riff to save my life.

Looks like I might stick with the ReMOTE 25 - heck, it's functional, and picking up an Indigo DJ might be cheaper, and will give better latency.

More grist for the mill, I'll have to think about it a lot...

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M. Bréqs

Rahlo
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Post by Rahlo » Tue Feb 22, 2005 1:14 am

montrealbreaks wrote:Wow. I'm pretty disappointed about that latency. Yuck.

For me, I have started trying to do Ryan's thing, starting out with a blank live set and just hitting record and seing what happens... But, I am doing 100% MIDI, and then re-recording audio clips from my midi instruments. Naturally, a long, slow latency is bad for recording MIDI, since my timing's all out of whack, and I couldn't play a proper riff to save my life.

Looks like I might stick with the ReMOTE 25 - heck, it's functional, and picking up an Indigo DJ might be cheaper, and will give better latency.

More grist for the mill, I'll have to think about it a lot...
man, I've been doing shows and haven't had a chance to properly test it. I just remembered seeing that setting when I was selecting ozonic as the audio interface. If you don't need to monitor your input through the computer I think you're ok, but if you need to monitor through live, you might be better off with another AI. I dig it though--especially for the road. I still have one 828 and a digi 002 for tracking serious vox.
peace,

rahlo
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hambone1
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Post by hambone1 » Wed Mar 23, 2005 7:39 pm

Hiya!

I'm just putting together my Live rig with a new G5. All audio is from Live. I had planned on getting a Firewire Audiophile, and using my existing keyboard, existing MIDI interface (for lighting control), and picking up a little analog mixer to replace my (big and heavy!) Yamaha 01V.

But now I'm intrigued with doing the whole thing with an Ozonic. I'm sending a second stereo pair from Live to the back of the venue for additional percussion/FX/synthy sweeps, etc, so I need the 4 analog outs.

So is it feasible to eliminate a traditional analog mixer with the Ozonic? I'm used to having traditional analog mixer knobs and faders (or the 01V's equivalent) to twiddle, but I guess it's all the same with a MIDI controller, adjusting EQ/sends/levels, etc. It sounds too good to be true.. vox into the XLR, MIDI from the keyboard straight into the MIDI-DMX converter, and 4 channels of audio from the G5 down the Firewire into the Ozonic and out to the 4 active PA speakers. I guess a downside is the small amount of reverb I need for vox will have to come from Live, but that's only a 5-10% hit on the CPU. All of my tracks are pre-rendered to allow most of the CPU to work the video side of things.

I plan to have my iPod for audio, a DVD for video, and letting the lights beat-sync themselves as emergency backups. I had planned on patching the audio into the analog mixer, but I guess it could plug straight into the powered PA in a pinch.

This is cool stuff. I appreciate any thoughts or help!

tokyojoe69
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Post by tokyojoe69 » Wed Mar 23, 2005 8:07 pm

Hey guys.

Been thinking bout getting an ozonic aswell, actually I nearly went and picked it up after work this evening, but figured it would be best to wait untill the rent is paid. what I wanted to know was, my lappie only has one 400 firewire port, and I know you can't use phantom power on that, but would i be able to use phantom power if I got a pcmcia card with 800 firewire port adapter. It probably won't make a difference as to wether i buy it or not, but it would be nice to hassle with less cables.

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