Ableton Forum

Nevermind, figured it out. If anyone else is having troubles read here:

http://www.ableton.com/forum/viewtopic.php?t=96978

I got stumped with this and thought I'd share. It may have been covered before but a search didn't bring up any posts so here it is:

If you are having trouble assigning your pots with an oxygen 8 v2 + live, you need to ctrl assign them to CC 10-17. Here's how.

1) On you keyboard, touch the 1st pot ...

*bump-dee bump*

just wondering if anyone got this problem sorted out as I am currently experiencing the same thing: Live 7.10, oxygen 8 v2 and OSX 10.5.3

Live is getting midi in...but I simply cannot make it 'see' the knobs and faders on my v2. "dump" is inaccessible, and I've reset the v2 via ...

Darn...
Oh well, thanks for the reply.
Cheers

If I sell my M-Audio Keystation 49e, which comes bundled with Ableton Live Lite, will either the new owner or myself have problems with license issues? I've since bought and upgraded to the full version of Ableton Live 6.

Thanks!

I suppose, but I'd rather play with the "raw" file and have it sound normal...

Maybe because there's no 'real' mono in Live?
Bah.

Hopefully there is a quick answer/fix for this:

I am trying to use a wav file ripped from a video taken with my cell.

Sample rate - 8khz
bits/Sample - 8 bits
Bitrate = 64/sec
MONO

When played in Windows Media Player or in Audacity is sounds "fine" (as fine as that sound quality gets) but it ...

borg wrote: there's a lot more girls waiting for you than in R'n'R if that's your thing (actresses, dancers, girls in the office, all much tastier and more refined than the music business groupies),...

Hahahaha...well, if I ever become a lesbian I'll keep that in mind.

Sales Dude McBoob wrote:Recording studios may be dead, but live sound and field work are here to stay.

Yippee!! I don't think I'm much of a studio person anyway...but any excuse to buy a nice new microphone is great by me. I didn't think there was much in the way of field recording gigs....I guess I'm wrong?

Answering telephones all day is very, VERY quickly losing its charm so I'm looking for something new where I can hopefully learn a lot about recording/producing/field recording.engineering etc etc

I know working in a studio would be great - but almost near impossible a gig to get as far as I've ...

Hi there...Can anyone point me to a good resource explaining the difference/benefit of a sampler rather than using a wav editor and a drum machine?

I'm assuming that the fun part of a sampler is taking a sound and turning it into something completely different. I like using sounds as-is, cleaning ...

ahhhhhh...ok, yes, I see. you're right, depending on the record, i either get a weird phaser-type sound out of the signal or just the left channel going. I suppose it could make for some interesting effects, but for now i'll be happy to figure out how to record the damn vinyl cleanly and play with ...

sorry, what I mean is that I have one pair of RCA outputs from the preamp and two 1/4" balanced stereo inputs...I didn't know you could get an adapter that would have RCA on the one end and two 1/4" on the other so I'd have 2 channels going in. I think that's probably the only solution...I was ...

I've got the Edirol R09 and LOOOOOOOOOOOVE it. However, it's not necessarily what I would call "cheap." It cost me $500ish and then I spent another $500 on a great Audio Technica AT822 mic and want to add a preamp to the arsenal soon...but, having said that, the Edirol doesn't need an external mic ...

no, I've only got the one RCA output and the one "stereo" line in. I wish I had RCA inputs...I assume that would solve my problem? Hmmm...might be time for an audio interface upgrade.